In an inspiring pairing, Amy Hest and P.J. Lynch create an unforgettable tribute to the immigrant experience. Jessie lives with her grandmother in a poor village in the valleys of eastern Europe. When, to everyone's surprise, young Jessie is chosen by the village rabbi to travel to America, and to leave her grandmother behind, they both feel their hearts will break. Award...(展开全部)

In an inspiring pairing, Amy Hest and P.J. Lynch create an unforgettable tribute to the immigrant experience. Jessie lives with her grandmother in a poor village in the valleys of eastern Europe. When, to everyone's surprise, young Jessie is chosen by the village rabbi to travel to America, and to leave her grandmother behind, they both feel their hearts will break. Award...(展开全部)

The relatives' station wagon: it smelled like a real car, looked like a rainbow, and was roomy eugh for a crowd.

In a rainbow-colored station wagon that smelled like a real car, the relatives came. When they arrived, they hugged and hugged from the kitchen to the front room. All summer they tended the garden and ate up all the strawberries and melons. They plucked banjos and strummed guitars. When they finally had to leave, they were sad, but not for long. They all knew they would be tog...(展开全部)

In a rainbow-colored station wagon that smelled like a real car, the relatives came. When they arrived, they hugged and hugged from the kitchen to the front room. All summer they tended the garden and ate up all the strawberries and melons. They plucked banjos and strummed guitars. When they finally had to leave, they were sad, but not for long. They all knew they would be tog...(展开全部)

The relatives' station wagon: it smelled like a real car, looked like a rainbow, and was roomy eugh for a crowd.

Zhange Ni is Assistant Professor of Religion and Culture at Virginia Tech.

In the first book to consider the study of world religion and world literature in concert, Zhange Ni proposes a new reading strategy that she calls "pagan criticism," which she applies not only to late twentieth- and early twenty-first-century literary texts that engage the global resurgence of religion but also to the very concepts of religion and the secular. Focusing on two ...(展开全部)

In Pictures at a Revolution, Mark Harris turned the story of the five movies nominated for Best Picture in 1967 into a landmark work of cultural history about the transformation of an art form and the larger social shift it signified. In Five Came Back, he gives us something even more remarkable: the untold story of how Hollywood changed World War II, and how World War II chang...(展开全部)